![When does the new boss baby movie come out](https://knopkazmeya.com/9.png)
![jock jams volume 4 playlist jock jams volume 4 playlist](https://t2.genius.com/unsafe/300x300/https://images.genius.com/43fc0d41179caf8923b8a55eff8587ee.300x300x1.jpg)
Mixer Chris Walsh’s marvelously slick, varied flow implies that the important developments of the year happened in rap, and that everybody else was trying to catch up. In fact, the zero-rap-content stuff doesn’t show up until halfway through the disc, and the No Limit tank drives through twice. “Shorty” gains an extra verse courtesy of Keith Murray.
![jock jams volume 4 playlist jock jams volume 4 playlist](http://ecx.images-amazon.com/images/I/510XQPGRT1L.jpg)
On MTV Party To Go ’99, though, hip-hop gets its due. well, no hip-hop, actually, but that Imajin track’s got a good beat. Now is almost the kind of demographic free-for-all Top 40 used to be- the fluffiest of fluff next to grouchy alt-rock next to love-man balladeers next to novelty breakouts next to. It’s all peak, and it makes a whole lot of single-artist albums pretty much irrelevant. Boom: there’s “Mmmbop,” there’s “All My Life,” there’s “Fly Away,” there’s Harvey Danger’s “Flagpole Sitta” with the “goddamn” wiped, there’s Fastball’s “The Way” and its magical chorus. Beware: there is now such a thing as Christian swing.) The domestic franchise of Britain’s long-running Now That’s What I Call Music series, Now is haphazardly sequenced, but that doesn’t even matter. (Don’t confuse it with Wow 1999, a double-disc set of contemporary-Christian hits of the year, an alarming number of which sound like Ani DiFranco on a very bad day. 24 and rising on the latest Billboard chart. It’s interesting, then, that the most all-over-the-place comp of the moment is also the most successful: Now is No. Hit comps aren’t generally straight cross sections of the charts- the pop market is too fragmented, or label types perceive it as too fragmented, anyway. Written by a rhyming dictionary hooked up to an 808, it still chokes me up sometimes. The quintessence of this style is Crush’s “Jellyhead”- excuse me, “Jellyhead (Motiv8’s Pumphouse 7” Edit)”- which has shown up on something like 20 compilations, six of them in 1998, including the misbegotten Total Dance Explosion, on which it’s identified as “Crush” by Jellyhead. and “Show Me Love” by Robyn are, in fact, different dance hits. There are others that it encourages, notably divas with a certain kind of very simple uptempo dance groove behind them: it turns out that “Show Me Love” by Robin S. There are certain kinds of performers that the hit-comp format discourages from the get-go: country singers (no “You’re Still the One,” no “How Do I Live”), big names (no “Ray of Light” or “My Heart Will Go On,” which shows up only in Déjà Vu’s Hi-NRG version), artists protecting their albums’ legs (Savage Garden, Lauryn Hill), Puffy pals (for those, there’s the bludgeoningly effective Bad Boy Greatest Hits Volume 1). The trouble starts when you get to 20 or 30. A great three-and-a-half-minute song, with no context at all, makes you jump up and down in reverence of its perfection-beyond-understanding, and a string of 10 or 15 can be heavenly. For most singles artists, albums are there for context, or as an aid to understanding. Particularly now that many of the best pop songs can’t be had as singles per se, they’re a godsend, a stack of quick thrills without the baggage of albums attached. Living with a bunch of hits-of-the-year comps is like living with big jars of candy: too much is too much, but a little is always a good idea. Label-affiliation niceties, target audiences, and finite CD length give each an ideological skew, but no matter which way the licensing money flows, the fact that Imajin fit in on half a dozen says something. The hits-’99 compilations are arguments for what the last year or so in pop has sounded like. Somebody really wants them to be the next Next, and half of mattering is acting like you matter. If you do the math right, the most important new song of 1998 was Imajin’s “Shorty (You Keep Playin’ With My Mind).” A not-what-you’d-call-a-hit single by a factory-stamped quartet that’s yet to release an album, it’s nonetheless turned up on Club Mix 99, Ultimate Dance Party 1999, Now, Jive Dance Party Hits, MTV Party To Go ’99, and Pepsi World: The Album. Compilation kings Imajin: They fit everywhere.
![When does the new boss baby movie come out](https://knopkazmeya.com/9.png)